Creedence Clearwater Revival - Bayou Country - Super Hot Stamper

Creedence Clearwater Revival - Bayou Country - Super Hot Stamper*NOTE: The edge and first 10 seconds (approx.) of track 1 on side 1, "Born on the Bayou," play a little noisier than Mint Minus Minus. The sound is big and open with real weight to the bottom. The top end has a much more natural extension than most, and much less of the harshly brightened up upper midrange you might be familiar with. On side two you can even pick out the piano in "Good Golly Miss Molly," which is barely audible on most pressings. This

John Renbourn – Guitar

lacking Tubey Magic

Classical music is really the ultimate test for proper turntable/arm/cartridge setup (and evaluation)

After Tarkio it’s all downhill

the energy captured on these Hot Stamper pressings has to be heard to be believed

This is High Fidelity Top Quality Uncolored Studio Sound like few records you’ve heard

Musically there are only a handful of jazz-rock fusion albums that I can still listen to: Return to Forever's Romantic Warrior

It’s still fresh and “cutting edge” (if I can use that term) over fifty years after its release

We sure didn't

how could I

let alone felt as passionate as I do about it

Jethro Tull