Auto/biography and identity

Auto/biography and identityThis book looks at how a range of women in the theatre actors, managers, writers and live artists have used, and still use, autobiography and performance as both a means of expression and control of their private and public selves on the page and on the stage from the late eighteenth century to the present day.

A PDF version of this book will be available for free in Open Access here

and begins to dabble in witchcraft

Feeling suffocated by the demands of her family

Jacques Rancière and Alain Badiou

rather than as a sudden

design and practice

historians and anthropologists tackle these questions by exploring the transnational circulation of drugs

An introduction to the study and application of performance art through phenomenology for radical artists

was five months old when he was given to me to take care of

all used as a reflective framework to illuminate case studies from a wide range of teaching artist practice

Manghani’s book will change the trajectory of visual cultural studies by making critique a performance with force in the world

media and the public from a multidisciplinary perspective and over an extended historical period