Cut & Sea

Cut & SeaCut & Sea documents an exhibition by architect and artist Tobias Klein on the grounds of Oi! the Oil Street Art Space in Hong Kong. Created for the Back to Basics series during the Hong Kong Biennale in Architecture, the series explores the interrelationship between art and the nature of its existence in everyday life. The title of Klein's work refers to the ocean waves that used to reach Oi! back when it operated as the Royal Hong Kong Yacht Club and

and as a reference for scenarios with standardized patients or role-play situations

not all of the Jacobites are as dedicated as Redgauntlet

starting with an overview of recent rates of deforestation

The chapter reviews technological advances to develop abiotic stress resistance in potatoes and tolerant varieties

by viewing the literal level of irony as something the speaker doesn't really mean

It intertwines data

The book argues for a new experiment in social licensing whereby the right to trade in foundational activities would be dependent on the discharge of social obligations in the form of sourcing

including perception

as well as political and economic situations

The book explains the collapse of the floating Hong Kong dollar under the pressure of capital outflows during the Sino-British negotiations (1982–84) over the future of Hong Kong

The nineteenth century saw a lengthy and unusually intense conflict between religion and national politics over public space

Chittick is juxtaposed with Liu Chih's work